Sunday, May 9, 2010
Art & The Quotidian Object
Art & Spirituality Discussion Facilitator Synopsis
Art & Spirituality Discussion Facilitator Synopsis
Wednesday, April 28, 2010
Art & Globalization
Huang Yong Ping, buddha's hands, 2006
Huang Yong Ping - french artist of chinese origin is exhibiting as part of arsenale at
Venice Art Biennale 09. ping's work has its roots in confrontation, contrast, exchange,
and the coexistence of different cultural and spiritual worlds. his oversize recreations
of the hand of buddha is made from a type of cedar tree traditionally used in chinese
medicine, that dwell in the ambiguity of references to both spiritual and earthly realms.
Mixed media on paper on Aludibond on wood
The Museum of Contemporary Art, Los Angeles
Franz Ackermann’s work explores issues of travel and tourism, contrasting subjective experience with broader issues of globalization, mobility, and commerce. He travels to select locations to render time and geographic space in wall-scale paintings and mixed-media constructions. African Diamond, like many of his works, eradicates the formal boundaries between sculpture, painting, and advertising by translating each medium’s visual vocabulary into his own distinct patois.
Michal Rovner, Chinese Calculator, 2004
Steel vitrine with glass, stone and DVD video projection
Installed near the entrance of the Biennale, Israeli born, New York-based artist Michal Rovner presents Chinese Calculator (2004)four stone tablets that celebrate faux archaeological findings by establishing a fictitious history. Each rough stone slab is touched with light from tiny projectors. Small patches of light noticeably waver on their hard surfaces, refusing permanence and legibility. The projections resemble ancient script, but they are actually human figures, alive and active.
Yinka Shonibare, The Swing (reproduction of Fragonard's 'the swing'), 2001
Yinka Shonibare is someone born in England but born to Nigerian parents. Eventually moves back to Nigeria, but was also educated in England; so is truly bi-cultural, and uses this experience to confront what it's like to grow up in with Nigerian traditions but to be educated in Western culture.
Sunday, April 25, 2010
Art & Identity
Seven in Bed, 2001 Fabric, stainless steel, glass and wood.
Courtesy Cheim and Read, Galerie Karsten Greve and Galerie Hauser & Wirth
Cinderella, Untitled #276, 1995
Facebook Portraits-Shawn Zeiger, 2008
Untitled, 2009, acrylic on pvc
JR and Marco- http://face2faceproject.com/
Art & The Body
5 Questions
1. Throughout the history of art, the body has taken on various roles reflecting the signifiance of that time period. What does contemporary art and the body reflect about our time?
2. Does the perception of deformation to the figure add to the how the viewer sees an artwork?
3. When the body is placed in a specific setting the context of that artwork changes. Does this benefit the artwork?
4. When creating artwork with more than one figure, the relationship of the artwork and the viewer can bring up feelings from our subconscious. Isn't that the main goal of an artwork, to create an emotional reaction to the viewer?
5. Is contemporary art a key tool to breaking down taboos of our society?
Ron Mueck (Australian, b. 1958). Two Women, 2005. Mixed media, 33 1/2 x 18 7/8 x 15 in. (85.1 x 47.9 x 38.1 cm). Glenn Fuhrman Collection, New York
Jorge Rodriguez-Gerada started making urban art more than 15 years ago in New York City. A founder of the artistic direction known as 'culture jamming,' he is a Cuban-born artist based in New York and Barcelona. Rodriguez-Gerada creates portraits in charcoal of people-until now anonymous-which scale the walls of buildings in our cities in a format that we can begin to describe as gigantic.
3 dimensional pseudo realistic paper portraits and sculptures. These are papercraft sculptures made in the same way as the familiar papercraft houses and animals
Lick And Lather, 1993
Rosetta 2, 2005-2006, Oil on watercolor paper, mounted on board
Wednesday, April 21, 2010
Criteria for Writing a Successful Exhibition Revie
Criteria for Writing a Successful Exhibition Review
Extensive knowledge of studio practice and the subject matters that the artist(s) is focused on
Background information about the artist(s) which includes:
Education
Influences
Cultural background
Medium they work(ed) in
Signifance in the art world
Format
Introduction
Summary
Issues involving the Art world and the exhibition’s connection to it
Critique
Personal Opinion of the Artwork and Atmosphere
Conclusion
References
The review must be of an exhibition that focuses on or includes a substantial amount of art that makes connections to the shows theme. Reviews should be reasonably courteous or respectful unless there is a good reason to challenge the premise of an exhibition.